“Dora approaches the Feminine, allowing it to express itself, allowing it to flow.
She creates a space of transparency, in which her shapes can manifest their multidimensionality.
It is a lively interplay of freedom and pain, in which her figures flow, tempted to run away and become something else, something new.
Her work is a wonderful recreation of life. Her women are born again and again, with the unique purpose of finding their essence.”
Judith Merenfeld-Moscu, PhD.
Jungian Psychoanalyst.
DORA ABBO WHITE SERIES PAINTINGS
Dora Abbo approaches painting with the highest aesthetic sense. Her monochromatic white canvases display a profuse ensemble of black outlines intermingled with curvilinear shapes. Penciling, crayoning and long brushes are the core tools for Abbo’s creation. Some hints of colored contours produce surprises and dynamism into the figurative forms. A cinematic movement is created through the juxtaposing of different lines; some of them less marked and faded, a nod to Rembrandt's pentimento. This is Abbo's signature, her way of defining "drawing" into painting, her love of lines and their aliveness. The uncolored background is pointed as a white field of pure light. Not using pictorial color is an artistic choice to present an intangible life-level away from the physical world. The works display an ethereal sphere with a strong mystical awareness. The artist has a sharp spiritual sense in projecting her vivid scenes. Her silhouettes delineate a magical realm in which women trespass through life’s processes. The energetic figures shift and swing in theatrical movements as if in existential passages. Abbo significantly reveals women’s’ meaningful states.
Milagros Bello, Ph.D
Curator
In my Whites Series I work with the absence of color. In this stage of my trajectory as an artist, color disappears giving way to the power of the outlines and dynamic character of the composition. The disappearance of color gives way to a new essence of the work and the hidden story of the figures. The viewer can perceive the emotions of the physical and psychic spaces stopped in an instant of thought; they are human entities representing an instant of past and present experiences and memories. I work with both the fantasies and realities of life. Each figure weaves and interacts with the others in a constant dialogue, moving and dancing on the canvas fragmenting its form. It is a process that emanates from the unconscious mind, leading to a synthesis of lines and the purity of drawing over the white canvas, which gives way to a luminous void that frees the figures to express themselves at a higher level. The absence of color drives the figures to their maximum expressive potential in a mystic way where
"The light silences what we do not wish to see."
Dora Abbo
The evolution of my paintings through the years has brought me to a moment and place in which my main purpose is opening my expressive language and inner search to the complexities of the introspective dialogue of the human being and women’s place in the world.
Spectator and painting engage in a dialogue leading deep into the place of silence in which an explosion of line and color are born, in a mystic language of both present and past, fantasy and reality, defying the rationality of the canvas with an intense light blinding what we don’t want to see.
"Color and light join momentarily, opening a space in which our self is free."
Dora Abbo
RESIDES
1949-1959: San Jose, Costa Rica.
1959-1980: Maracaibo, Venezuela.
Current Miami, Florida
EDUCATION
1973-77 School of Fine Arts Julio Arraga. Maracaibo,Venezuela.
1980-84 School of Fine Arts Florida Atlantic University. Florida.
SELECTED EXHIBITIONS
2014 Curator’s Voice Art Projects. Miami, Florida.
2013 Curator’s Voice Art Projects. Miami, Florida.
2013 Art Basel. Red Dot. Miami Florida.
2012 Art Basel. Red Dot. Miami,Florida.
2012 Curator’s Voice Art Projects. Miami, Florida.
2011 Art Basel. Red Dot. Miami, Florida.
1994 Art Miami ’94 The Embassy Gallery. Miami, Florida.
1993 New England Fine Arts. Juried Exhibition. Boston, Massachusetts.
1990 Museum of Fort Lauderdale, Juried Exhibition. 32nd. Hort Memorial Fort Lauderdale, Florida.
1990 Minotauro Art Gallery. Convergencias. Caracas, Venezuela.
1990 Thomas Center Gallery. Hispanic Artists. Gainesville, Florida.
1990 Du Dragon Art Gallery. Grands Et Jeunes D’aujourd’ Hui. Grand Palais. Paris, France.
1989 Minotauro Art Gallery. Caracas, Venezuela.
1988 XI Annual Art Salon Bijoux. Caracas, Venezuela.
1988 Minotauro Art Gallery. Caracas, Venezuela.
1988 Du Dragon Art Gallery. Grands Et Jeunes D’aujourd’ Hui. Grand Palais. Paris, France.
1988 Minotauro Art Gallery. Caracas, Venezuela.
1987 Gallery 700. Maracaibo, Venezuela.
1987 Du Dragon Art Gallery. Grands Et Jeunes D’aujourd’ Hui. Grand Palais. Paris, France.
1987. Ralli Museum. (Placed in permanent collection.) Uruguay.
1986 Du Dragon Art Gallery. Grands Et Jeunes D’aujourd’ Hui. Gran Palais. Paris, France.
1986 Minotauro Art Gallery. Caracas, Venezuela.
1985 Gilles Patric Gallery. The seven Sins. Fort Lauderdale, Florida.
1983 Broward Art Guild Gallery.(Juried Exhibition) Fort Lauderdale. Florida. -First Prize.
1983 Ritter Gallery. ( Juried exhibition)Florida Atlantic University. Boca Raton, Florida.
1982. Broward Art Guild Gallery. (Juried exhibition) Fort Lauderdale.Florida.- First Prize.
1982. Ritter Gallery.( Juried exhibition) Florida Atlantic University. Boca Raton, Florida.
1981. Broward Art Guild Gallery.( Juried exhibition) Fort Lauderdale, Florida. – First Prize.
SOLO EXHIBITIONS
1990 National Museum of Costa Rica. San Jose, Costa Rica.
1989 Minotauro Art Gallery. Caracas, Venezuela.
1986. Minotauro Art Gallery. Caracas, Venezuela.
1985. Gilles Patric Gallery. Fort Lauderdale, Florida.
COLLECTIONS
San Jose, Costa Rica.
Santiago de Chile.
Bogota, Colombia.
Paris, France.
Panama, Panama.
Rome, Italy.
Geneva, Switzerland.
Punta del Este, Uruguay
USA: IIlinois, New York, Texas, California, Florida.
Venezuela: Maracaibo, Caracas.